8.06.14 (8PM) EARTHMASTERS + GX JUPITTER-LARSEN + JOSEPH HAMMER + G.S. SULTAN

$5
all welcome

GX Jupitter-Larsen (sometimes erroneously spelled Juppiter-Larsen) is an artist, based in Hollywood, California, who has been active in a number of underground art scenes since the late 1970s. Jupitter-Larsen has been involved in punk rock, mail art, cassette culture, the noise music scene, and zine culture.[1] During the 1990s he was the sound designer for the performances of Mark Pauline's Survival Research Laboratories. His best known work is as the founder of the noise act The Haters, who have performed all over the world, and appear on over 300 CD and record releases.

https://www.youtube.com/watch?v=33Xbm2gSZcE

Joseph Hammer has actively created experimental works since 1980 as a member of the LAFMS collective. His practice draws on the complexities of the process of listening and playing, reflecting on the role of the audience versus the performer, and uses music as it influences our notion of time, memory and intimacy as the basis for improvisation and abstraction. In various collaborations, solo, and as a founding member of the trio Solid Eye along with several other projects (Joe & Joe, Dinosaurs With Horns, Dimmer, Points of Friction), Hammer has performed widely and is an influential contributor to the Los Angeles underground scene.

http://laartstream.com/ear-meal/joseph-hammer/

EarthMasters is the solo project of George de Moura. Located in Brooklyn NY de Moura utilizes modular synthesis, viola, and various media to produce soundscapes intended to alter the psychological condition of the listener. de Moura is best known for his collaborations with the artist Narcissister, their sound pieces were included in A.L Steiner's installation in the 2014 Whitney Biennial and have performed during a residency at Envoy Enterprises.

http://totalrealityinternational. bandcamp.com/track/concept-reinforcement

G.S. Sultan is the computer_music project of Roy Werner. Oriented around sample-based composition, sound is processed through deconstructive/generative custom software via Max/MSP in an attempt to force spanning source material into connotative and contextual equivalence. His latest release (cassette via Nada) 'intermediate mv. (demonstration)' involves collecting musicians' solo improvisations from YouTube and reprocessing/rearranging them into an imagined 'orchestra' of remote performers. He is a member of 'post-Internet art collective'/record label Brad Grammar and is currently based in New York.

http://gorgeoussuntan.bandcamp.com/